What collaborators say
“Gill is the ultimate story-smith. She has an uncanny ability to navigate the many twists and turns of an idea. Through her guidance I was able to move on to the next stage of pre-production. I wouldn’t hesitate to recommend Gill to anyone who needs support, whether commercially or as a creative yourself.” — Clair Titley, Director, The Contestant, Red Bucket Pictures
“Gill is a powerhouse of energy and creativity – a positive force for change with the ability to write dialogue which makes the audience feel much less alone.” – Jill Bennett, Engage Programme Producer, Theatre Royal Bath
“I knew straightaway that A Bit of a Song and Dance had theatrical magic. Gill is incredibly open creatively, and has genuine confidence in her work. She knows her characters, and has their best interests in her big heart. She is a joy to work with.” Amanda Horlock, Director and Coordinator, Writers’ Forum, Bristol Tobacco Factory
“I have worked with Gill on a number of occasions and always found her a thoughtful, intelligent and creative writer. Her writing is a joy to direct and she is an absolute rarity — a playwright who will genuinely take ideas on board and work in tandem with a director. I always look forward to working with Gill and would recommend her without hesitation.” — Alice Butler, Director, tidy carnage
“Working with Gill is a great pleasure. Not only is she an incredibly talented writer, she is 100% aware and appreciative of the theatre-making process. This sort of working relationship is invaluable and I cannot recommend working with her enough.” — Alison Farina, Director and Producer, Butterfly Psyche Theatre
“Gill’s work is always engaging. She is a professional, collaborative artist whose work as a writer is always worth seeking out.” — Shane Morgan, Director, Roughhouse Theatre
“As an actor, Gill’s lines are a joy to deliver. She is consistently happy to take feedback and discuss character development, always working as part of the team.” — Kirsty Cox, Broohas Theatre Company
What The Critics Say
Skin in the Game, New Wimbledon Theatre, November 2021:
★★★★ Fairy Powered Productions
★★★★ Theatre and Other Things London
“Sharp dialogue, funny, spot on topical.” — New Wimbledon Theatre
Passion, VAULT Festival, London, March 2014:
“Atmospheric and unique. An eye-opening experience.” — Metro
“An unforgettable production.” — New Current
“A raucous one woman rave, unraveling stories and secrets as the night wears on.” — Female Arts
Away With the Fairies — Alma Tavern, Bristol, March 2012: ★★★★
“Gill Kirk’s witty script manages to deal with the complexities of human relationships while never forgetting to make its audience chuckle.” — WhatsOnStage
“A brilliant script — I could have most happily sat through more.” — Bristol Theatre Review
“Well observed, clever and imaginative with some lovely little touches.” — Guide2Bath
“Great, whip-crack dialogue.” — Venue
Water’s Not So Thick — Rondo Theatre, Bath, June 2011: ★★★★
“Acutely observed and sharp as tacks, with plenty of wit and humour — a plot which builds with the relentless momentum of tragedy.” — Venue Magazine
“Gill Kirk’s strong writing has produced a piece of theatre that provides moments of laughter, moments of sadness, and the occasional slight gasp of shock.” — Guide2Bath
No Milk, No Stamps — 24 Hour Plays, Theatre Royal Bath, 2011: ★★★★
Runner-Up, Play of the Year 2011, Venue Magazine
What Audiences Say
Skin in the Game — New Wimbledon Theatre, November 2021:
“I just saw a play that kind of blew my mind. It was terrifying, hilarious, and I’ve got a lot to think about.”
“Riveting, hilarious and also a cautionary tale.”
“A bit of genius.”
“A real ear for political nonsense.”
“Astute, witty, clever.”
“A dark and delirious satirical comedy.”
“So creative, so ingenious.”
“It needs to go big and go far.”
“A terrifically entertaining evening.”
Box — Brighton University, 2018:
“Much more playful than Stoppard; you empowered the audience.”
“It made me think of Caryl Churchill.”
“A playground full of swings!”
Glitter Knickers — Rondo Theatre, Bath, 2016:
“A tour de force in writing and performance.”
“Funny, astute, painful and crammed full of face-achingly good one-liners.”
“You are a consummate storyteller. It was a joy.”
“Hilarious, beautifully observed, artfully written.”
“Trippy and brain-bendy.”
“Blown away. Funny, real, clever, moving.”
Black Barn — LOST Theatre, London, June 2012:
“Thoroughly enjoyed the sinister surrealism of Gill Kirk’s Black Barn. Thought-provoking stuff.”
“Brilliantly bonkers!”
“Very dark. Seriously loved it.”
“tidy carnage pull one out the hat!”
How does she do it? Want to read about the writing life? That’s lucky…
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