To be fair, if you’re not receiving tax-payer subsidy or other grants that call for you to support writers that live, you can do what you want. But theatre faces a challenge. It’s competing against those guys I mentioned earlier (Cowell, HBO, the West End, film) for audiences. And it shouldn’t just be competing for attention, but for audience LOVE. For that “I can’t get enough” thang. “New” shouldn’t be a dirty word, a “brand” or fad that passes its sell-by date. It shouldn’t be a synonym for “worthy” or “inaccessible”. If theatres commission exciting work, it will excite.