I love it when a plan you never knew you had comes together.
An old friend up at Bath Uni decided we needed an International Women’s Day entertainment night in Widcombe. It’s over 20 years since I did one of these, back at the students’ union, so when she said,
“Want to do something for International Women’s Day?”
something in me shouted back – all the way from 1995, and surprisingly quickly,
“Heck, yeah!”
And by 8 March, that “HECK, YEAH” became this:
Oh, look. There’s me, at the start of the adventures of Glitter Knickers, the eponymous anti-heroine of my main stage show in 2016 (which meant to tour and then – far too true to character for my own liking – skidded on a banana skin).
The audience was very decent in every important sense: size and manners. They hushed, listened, laughed and even gasped. There were those lovely moments of 1- 2- 3 – “oh, no!” realisations (thank the gods) and plenty warm words after. (Thank you, Widcombe Social Club). But the funny thing was, next morning. I woke up and thought,
“Weird. I’ve never performed my own (grown-up) work before.”
And wondered why I’d never noticed.
In The Artists’ Way, Julia Cameron talks (with lemon-on-paper-cut insight) about how we often protect our creative selves through distancing. We might become teachers of art (of all kinds); encouragers of others; arts administrators; avid readers or theatre buffs –
ANYTHING BUT BE AN ACTUAL (SCARY) ARTIST – WHO MIGHT VERY WELL
FAIL.
It’ll astonish you if you know me (that doesn’t even need a footnote) that I performed endless amounts of my own work until I was about 14. At uni, I sang solo stuff a fair bit, but never acted or wrote. It wasn’t til I was 34 that I threw my bank account at the dream and wrote my first full-length play for any kind of sharing.
Now, now, though, there’s a wicked smile on my face. I like doing my own stuff. And I’m very willing to do more and get better at it. (Yes, see what a kindly audience can do?)
I made the, “never performed my own work before” comment on facebook and a friend overseas said,
“Bollocks. I’ve listened to your kids’ audiobook.”
You see, we forget the creative stuff we leave all over the place. We don’t always count or value the art we say is “work”! (My audiobook’s from my weekly after-school mythology club and I’ve only got round to recording one). But it’s just as valid a creative endeavour or risk as the “heart and soul” work. Others experience it as as much an expression of you as they see everything else.
Hmmm. My tone’s felt preachy. I’ve been reading too much on Medium, clearly. There is no lesson. Maybe just a thought, or a question: have you discounted your own creative outputs as “just work” – and would you like to do more?
Like this:
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This is the best any of my scripts have done with the BBC and it is a script I love (with characters I care about – but then, I always do). As one of the longlist, the BBC will give me a script report, which is invaluable – because without audience feedback, a script is nothing. Its life is in the imaginations of others….
I heard about it.
