Wonderful week last week, with lots of goodies coming at once.
On Tuesday, I reviewed Michael Boyd (former RSC Artistic Director)’s new show, The Open House, for Bristol 24/7. You can read the review here.
Then I popped on a train, feeling all intercontinentally high-flyin’, wrote my review on the tracks & when I woke up (some sleep happened somewhere), I was in King’s Cross on my way to the C21/Script Angel WritersRoom, which ran as part of the International Drama Summit at Content London 2017.
Very merrily, my latest TV pilot spec script – written in a 10-day deadline frenzy in September – was highly placed in the C21/Script Angel Drama Series Script Competition. And this is how I won a place on this full and excellent day. In three groups, we developed a new show from concept to pitch. Each worked closely with an experienced show-runner: Versailles’ David Wolstencraft; Follow The Money’s Jeppe Gjervig Gram; False Flag’s Maria Feldman and Shades of Blue’s Adi Hasak.
The 9-6 day seemed like it was eaten whole in one big bite: Have we finished? Where did it all go?!
That’s in no small measure due to a cracking task-led structure, but also a bally marvellous working group. So often, writers work in holy isolation but here we had to listen, respond, respect and hit a deadline with a goodie. (What do you mean, “did we?” Of course we did!).
Anyway, it was yet another of those weeks where I stand, grin and kalloo-kallay my lucky stars to be able to do the stuff I do. I saw and reviewed great & thought-provoking theatre (heading to London in the new year, I believe) and worked with a great international group of merry writers and producers. And we all learnt from our group’s ace showrunners, Jeppe Gjervig Gram & Adi Hasak, with the sharp and steady Hayley MacKenzie of Script Angel’s hand on the tiller.
What a cracking week.
Gill Kirk, scriptwriter 