Gill Kirk, writer

Category: writing

  • 12 hours

    I’ve just had an astonishing 12 hours. Overnight, the talentbacker campaign for script development for the quantum script (see previous post) hit and then exceeded its target with 6 days still to go. It’s not like running a race, cheered on by friends. It’s like asking them to run for you, while you keep yelling…

  • To fund or not to fund? A Q&A on QM with actor Annette Chown

    To fund or not to fund? A Q&A on QM with actor Annette Chown The thoughtful and thought-provoking Bristol actor Annette Chown has a bit of a thing about quantum mechanics. Which is lucky for me. Annette has very generously given over a blog posting to a Q&A with me about my quantum mechanics script…

  • Raising cash with Upsy-Daisy & the Quantum Suicide Rifle

    I made a film! I’m relentlessly asking people for MONEY! And it’s all about that terrier of a play on quantum mechanics (what? you missed me talking about it? Let me help you out: The heartbeat of an onion, Developing this oniony play – in pictures, and Gnash, gobble, splat: the sounds of a new script hitting the genre wall)…

  • DIY is never DIY! Funding the ink to jump onto the stage…

    I’m fundraising. Applications, grants, trusts and now some crowd funding (watch this space..) through the lovely people at www.talentbacker.com. Of course, it’s never DIY when it comes to money. Or any part of getting art out there. In this case, talentbacker are going to help me get lots of people to donate dosh. That will…

  • How do we get people writing (produced work) for theatre when they can’t build a relationship?

    You need to be familiar with a range of our work. Spend time at the bar, introduce yourself. If you’ve not seen new writing here in the last few months, I don’t want to hear from you. These are all real words spoken by theatre building peeps, to writers. I can’t argue – and am…

  • Good, better, best

    V chuffed to report that “Hard Men’, my pilot show script, developed through last year’s Channel 4’s 4Screenwriting programme, has got through the quarter-finals of the Screenwriting Goldmine Awards 2013. It made for a lovely afternoon, with writers galore getting in touch to check that I knew! Just goes to show what a community we…

  • Developing this oniony play – in pictures

    I sometimes feel I don’t get visual enough on this wee blog. So I thought I’d try to raise a Friday afternoon smile from you (I just hit 7 hours with only a short breather, working on this oniony play’s structure/s and need a break). I’m going to show you my scribbles that have taken…

  • The heartbeat of an onion

    The play I’m working on has turned out to be an onion of a piece. Except that the layers seem, at first glance, to have very little to do with each other. It started with some Keith Johnston-inspired automatic writing (long story). Under that layer, something ridiculously epic, galactically so. Get through that one, and…

  • Say Who You Are

    For all kinds of human reasons, I’ve been absent here. But I have been writing. OK – pre-writing: in one of those “hold fire” poses, pen in hand, ink pot unscrewed. And my brain will not be still. There are the strands, the Big Things. There are characters, growing warts and bad habits by the…

  • Brian Eno On Creativity

    Wow. Thanks massively to Phil Gladwin at ScreenwritingGoldmine for sharing this. A calm, thoughtful interview with Brian Eno: Brian Eno On Creativity.

  • Happy News

    The wonderful people at The Peggy Ramsay Foundation have given me a grant to support the writing of my new play! Now if that’s not a kick up the imagination, what is?

  • Gnash, gobble, splat: the sounds of a new script hitting the genre wall

    It is a fine thing to get the teeth into a new script. Delicious, clean pages. Fresh bodies waiting to spurt, the splatter marks on the walls giving us the story to decipher, like CSIs of dramatic fiction. Does that make the writer a bitey vampire or besplattered detective? Either way – and I suspect…